facebook.com … Unser Universum (Teil 2): Asteroiden – Gefahr aus dem All? Wenn ein Asteroid auf der Erde einschlägt, drohen Verwüstungen, Flutwellen und sogar die vollständige Auslöschung aller Säugetiere, inklusive des Menschen. Aber besteht eine akute Gefahr durch Asteroiden? — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! 
— Ja, sie sind da draußen! Und Ja sie könnten uns gefährlich werden — theoretisch. Und deshalb machen wir uns jetzt frei von Hollywood-Katastrophenszenarien à la “Armageddon” und bleiben bei den Fakten! Das Wort “Asteroid” stammt übrigens aus dem Griechischen und bedeutet “sternenähnlich”. Ein Asteroid ist ein Kleinplanet oder auch Planetoid — sofern er sich auf einer so genannten keplerschen Umlaufbahn um unsere Sonne befindet. Namentlich bekannt und damit entdeckt ist bisher eine gute halbe Million Asteroiden, doch das ist vermutlich nur ein ganz kleiner Teil der in unserem Sonnensystem herumfliegenden Brocken. Die nicht fachgerechte Bezeichnung “Brocken” trifft bei weitem nicht auf alle Asteroiden zu. Die meisten sind wohl eher kleine Bröckchen aber es gibt Asteroiden mit mehreren tausend Kilometern Durchmesser. Lange gingen Astronomen davon aus, dass die Asteroiden Überbleibsel einer kosmischen Katastrophe, Bruchstücke eines zerborstenen Planeten irgendwo zwischen Mars und Jupiter seinen. Mittlerweile weiß man, dass sie vielmehr Relikte aus der …
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 31 2010 | Posted in
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Ein fast dramatisch bewegender Moment des Abschieds in Paris; Grussworte von Demain Lichtenstein an alle Freunde und Freundinnen der GABE – eine kleine letzte Abendteuerfahrt des Triumphes – eine klassische Idylle-Ambiente bei Demians Verwandten
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 31 2010 | Posted in
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DIE GABE besucht PRIMAVERA, das Musterbeispiel einer erfolgreichen weil nachhaltig aufgestellten Firma, die mit ihren schönen Produkten einen harmonisierneden Einfluss auf die Menschheit hat. Das neue Firmengebäude wird in die Geschichte eingehen als der Feng Shui Palast-Tempel der Neuzeit und die ganze Welt freut sich auf das kommende 25 Jähreiger Betriebsjubiläum im Jahr 2011!
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 29 2010 | Posted in
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Der spektakuläre Höhepunkt der GABE PREVIEW TOUR 2010 war der Besuch im Feen – und Märchenreich von Ludwig 2. – atemberaubende kulturelle Encounter mit Visionen und Fantasien aus Vergangenheit und Gegenwart transzendierten die Grenzen von Raum und Zeit und waren Anlass für die ein und andere Liebeserklärung.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 29 2010 | Posted in
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Ein Abstecher in das Fürstentum Lichtenstein bescherte der Tour-Crew eine Begegnung mit einem ganz besonderen Heilzentrum; im LICHTBLICK durften alle das Geschenk der geistigen Aufrichtung erleben; mal ganz abgesehen von den sensationellen direkt zu sehenden körperlichen Veränderungen erfuhren alle Beteiligten jeder für sich ein ganz persönliches Wunder!
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 28 2010 | Posted in
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Die Matinee-Vorführung im fablenhaften HARMONIE KINO war geprägt durch ein sehr bewegtes Publikum und die herzlichen Dialoge mi Demian Lichtensteinun, Niurka und dem Publikum zeigten ein weiteres Mal die emotionale Potenzials des neuen Bewusstseinsfilmes “Die Gabe”
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 26 2010 | Posted in
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München 10.10.2010 im MATHÄSER FILMPALAST Impressionen vor und nach dem Film; Statements und Gespräche. Demin Lichtenstein und Niurka im herzlichen Austausch mit einem bewegtem Münchner Publikum; aus restlos ausverkauftes Kino dokumentiert den erfolgreiche Preview-Tour des neuen Transformationsfilmes DIE GABE.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 26 2010 | Posted in
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facebook.com / facebook.com Die Erfindung des Teleskopes revolutionierte die Entwicklungen in der Geschichte der Astronomie. Teleskope verhalfen den Menschen in den letzten 400 Jahren zu einem ungeahnten Blick in ferne und aufregende Bereiche des Weltalls. — Bitte Abonnieren nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! — Das Hubble-Weltraumteleskop ist das bei weitem berühmteste Teleskop aller Zeiten. Hubble hat viele Bereiche der Astronomie revolutioniert. Nach heutigen Standards ist der Spiegel von Hubble eigentlich recht klein, aber seine Lage ist – im wörtlichen Sinne – überirdisch. Hoch über den verzerrenden Effekten der Atmosphäre hat es eine außerordentlich scharfe Sicht auf das Universum. Außerdem kann Hubble auch im Ultraviolett- und nahen Infrarot-Bereich sehen. Dieses Licht ist für bodengebundene Teleskope unsichtbar, weil es von der Atmosphäre abgeschirmt wird. Kameras und Spektrographen, manche so groß wie eine Telefonzelle, zerlegen und registrieren das Licht von entfernten kosmischen Ufern. Wie jedes Bodenteleskop wird auch Hubble von Zeit zu Zeit aufgerüstet. Astronauten führen auf Weltraumspaziergängen Wartungsarbeiten durch. Beschädigte Elemente werden in Stand gesetzt. Und ältere Instrumente werden gegen neuere ausgetauscht – mit modernster Technologie. Hubble ist die treibende Kraft in der beobachtenden Astronomie geworden; es hat unser Verständnis des Kosmos gewandelt. Mit …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 24 2010 | Posted in
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Das Stuttgarter DELPHIE ARTHAUS Kino gefiel Demian Lichtenstein ganz besonders; der Flair eines ambitionierten Programm-KInos passt ganz hervorragend zu der Intention des persönllichen Filmes DIE GABE, dessen worrangiges Ziek das Schaffen eines bewusten Umgangs miteinander udn mit sich selbst ist.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 20 2010 | Posted in
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facebook.com … Unser Universum (Teil 1): Die Sonne Die Sonne ist mit ihrer Masse der beherrschende Himmelskörper in unserem Planetensystem, allerdings im Vergleich zu anderen Sternen nur Durchschnitt, auch hinsichtlich ihres Durchmessers von 1,39 Millionen km (109-facher Erddurchmesser). Durch ihre Oberflächentemperatur von 5.778 K fällt die Sonne in die Spektralklasse G2 und hat die Leuchtkraftklasse V. Der G2V-Stern ist daher ein durchschnittlicher, gelb leuchtender „Zwergstern”, der sich in der etwa 10 Milliarden Jahre dauernden Hauptphase seiner Entwicklung befindet. Die Sonne wird auf etwa 4,57 Milliarden Jahre geschätzt. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! — Die Sonne besteht aus verschiedenen Zonen mit schalenförmigem Aufbau, wobei die Übergänge allerdings nicht streng voneinander abgegrenzt sind. Sie setzt sich zu 73,5 % aus Wasserstoff und zu 25 % aus Helium zusammen. Die restlichen 1,5 Prozent bestehen aus zahlreichen schwereren Elementen bis einschließlich Eisen, vor allem Sauerstoff und Kohlenstoff. Hinsichtlich der Anzahl der Atome beträgt der Wasserstoffanteil 92,0 % und der Heliumanteil 7,9 %. Als „Kern” wird die Fusionszone bezeichnet. Innerhalb von 25 % des Radius der Sonne (1,6 % ihres Volumens, aber rund 50 % ihrer Masse) werden 99 % der Fusionsleistung frei, die Hälfte gar innerhalb von nur 10 % des Radius (0,1 % des Volumens). Im Zentrum liegt der …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 17 2010 | Posted in
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