“Steht die Menschheit 2012 tatsächich vor einem Evolutionssprung?” ist der Titel des Festvortrages, gehalten von dem Biophyiker Dr. Dieter Broers im Rahmen der 44. Medizinischen Woche in Baden-Baden anlässlich des 60. Gründungsjubiläums der Deutchen Ärtzegesellschaft für die Herd- und Regulationsforschung.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 29 2010 | Posted in
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“Steht die Menschheit 2012 tatsächich vor einem Evolutionssprung?” ist der Titel des Festvortrages, gehalten von dem Biophyiker Dr. Dieter Broers im Rahmen der 44. Medizinischen Woche in Baden-Baden anlässlich des 60. Gründungsjubiläums der Deutchen Ärtzegesellschaft für die Herd- und Regulationsforschung.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 28 2010 | Posted in
Video |
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“Steht die Menschheit 2012 tatsächich vor einem Evolutionssprung?” ist der Titel des Festvortrages, gehalten von dem Biophyiker Dr. Dieter Broers im Rahmen der 44. Medizinischen Woche in Baden-Baden, anlässlich des 60. Gründungsjubiläums der Deutchen Ärtzegesellschaft für die Herd- und Regulationsforschung.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 28 2010 | Posted in
Video |
Read More »
“Steht die Menschheit 2012 tatsächlich vor einem Evolutionssprung?” ist der Titel des Festvortrages, gehalten von dem Biophysiker Dr. Dieter Broers im Rahmen der 44. Medizinischen Woche in Baden-Baden anlässlich des 60. Gründungsjubiläums der Deutschen Ärtzegesellschaft für Herd- und Regulationsforschung.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 27 2010 | Posted in
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facebook.com … Unser Universum (5): Der tiefste Blick ins All Das Hubble Ultra Deep Field (HUDF) ist das tiefste Bild des Universums, das jemals im Bereich des sichtbaren Lichts aufgenommen wurde. Das HUDF enthält rund 10.000 Galaxien und große kosmische Objekte. Es zeigt die lichtschwächsten Galaxien, die bisher beobachtet wurden, und damit auch die am weitesten entfernten. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! 
— Das Hubble Ultra Deep Field (HUDF) ist ein Bild einer kleinen Himmelsregion, aufgenommen vom Hubble Space Telescope (Hubble-Weltraumteleskop) über einen Zeitraum vom 3. September 2003 bis 16. Januar 2004. Es ist das tiefste Bild des Universums, das jemals im Bereich des sichtbaren Lichts aufgenommen wurde. Dabei wurde eine Himmelsregion ausgewählt, die kaum störende helle Sterne im Vordergrund enthält. Man entschied sich für ein Zielgebiet im Sternbild Chemischer Ofen südwestlich des Orion. Der gewählte Himmelsausschnitt entspricht in der Größe aus Sicht von der Erde etwa einem Zehntel des Monddurchmessers. Das HUDF enthält rund 10.000 Galaxien und große kosmische Objekte. Es besteht aus zwei separaten Aufnahmen durch Hubbles “Advanced Camera for Surveys” (ACS) und dem “Near Infrared Camera and Multi-Object Spectrometer” (NICMOS). Das Bild entstand aus 800 Einzelbelichtungen, die während 400 Erdumkreisungen Hubbles durchgeführt wurden. Die gesamte …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 27 2010 | Posted in
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facebook.com … Unser Universum (4): Sternengeburt – Das Leben nach dem stellaren Tod. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! — Ein großer Anteil der Sterne ist im Frühstadium des Universums vor über 10 Milliarden Jahren entstanden. Aber auch heute bilden sich noch Sterne. Die typische Sternentstehung verläuft nach folgendem Schema: 1. Ausgangspunkt für die Sternentstehung ist eine Gaswolke, die überwiegend aus Wasserstoff besteht, und die aufgrund ihrer eigenen Schwerkraft kollabiert. Das geschieht, wenn die Schwerkraft den Gasdruck dominiert, und damit das Jeans-Kriterium erfüllt ist. Auslöser können zB die Druckwelle einer nahen Supernova, Dichtewellen in der interstellaren Materie oder der Strahlungsdruck bereits entstandener Jungsterne sein. 2. Durch die weitere Verdichtung der Gaswolke entstehen einzelne Globulen (räumlich eng begrenzte Staub- und Gaswolken), aus denen anschließend die Sterne hervorgehen: Dabei entstehen die Sterne selten isoliert, sondern eher in Gruppen. Die Periode der Kontraktion dauert insgesamt etwa 10 bis 15 Millionen Jahre. 3. Bei der weiteren Kontraktion der Globulen steigt die Dichte und wegen der freiwerdenden Gravitationsenergie (dh erhöhter Gravitationsdruck) die Temperatur weiter an (Virialsatz; die kinetische Energie der Teilchen entspricht der Temperatur). Der freie Kollaps kommt zum Stillstand, wenn die Wolke im Farben-Helligkeits …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 14 2010 | Posted in
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facebook.com … Unser Universum (3): Supernovae und Vampirsterne Eine Supernova (pl. Supernovae) ist das schnell eintretende, helle Aufleuchten eines Sterns am Ende seiner Lebenszeit durch eine Explosion, bei der der Stern selbst vernichtet wird. Die Leuchtkraft des Sterns nimmt dabei millionen- bis milliardenfach zu, er wird für kurze Zeit so hell wie eine ganze Galaxie, bei einer Hypernova sogar das Billiardenfache, also so hell wie ein Galaxienhaufen. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! — Es gibt zwei grundsätzliche Mechanismen, nach denen Sterne zur Supernova werden können: 1. Massereiche Sterne mit einer Anfangsmasse von mehr als etwa acht Sonnenmassen beenden ihre Entwicklung mit einem Kernkollaps nach dem völligen Verbrauch ihres nuklearen Brennstoffs. Es kann ein kompaktes Objekt, etwa ein Pulsar oder ein Schwarzes Loch, entstehen. 2. Sterne mit geringerer Masse können ebenfalls als Supernova explodieren, aber nur dann, wenn sie sich in einem engen Doppelsternsystem befinden und in ihrem vorläufigen Endstadium als Weißer Zwerg Material von ihrem Begleiter, typischerweise einem roten Riesen, akkretieren. Im Laufe der Zeit kann es dabei zu mehreren Nova-Ausbrüchen kommen, bei denen der Wasserstoff des akkretierten Gases fusioniert und Fusionsprodukte zurückbleiben. Das setzt sich so lange fort, bis die Masse des Weißen Zwergs die Chandrasekhar-Grenze …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Nov 7 2010 | Posted in
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