Kopp Nachrichten #173 H264 720P

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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

Die Mars-Mission | Unser Universum

facebook.com … Unser Universum (Teil 8): Die Mars-Mission. Der Mars ist — von der Sonne aus gesehen — der vierte Planet in unserem System und somit unser mehr oder weniger direkter Nachbar. Der Mars ist etwa halb so groß wie die Erde und rund eineinhalb Mal soweit von der Sonne entfernt wie wir. Obwohl er so ganz anders aussieht als unsere blaue Heimatwelt, zählt der Mars zu den erdähnlichen Planeten. Seine Farbe — von orange bis blutrot — brachte ihm auch seinen Namen ein: Mars — wie der römische Kriegsgott. Wir kennen ihn — nicht nur dank diverser Hollywood-Verfilmungen — als den Roten Planeten. Der Grund für die rötliche Färbung: Es liegt an Eisen(III)-oxid-Staub auf der Oberfläche und in der Atmosphäre … und Eisen(III)-oxid ist schlicht und einfach Rost. Die Mars-Atmosphäre besteht zu über 95 Prozent aus Kohlendioxid und ist ziemlich dünn, was dazu führt, dass sie die Sonnenwärme kaum speichern kann. Die Unterschiede zwischen Tages- und Nachttemperaturen sind dadurch ziemlich extrem. 30 Grad plus am Tag klingen geradezu mollig, wären da nicht die Nachtwerte von bis zu minus 85 Grad. Die dünne Atmosphäre sorgt auch dafür, dass Wasser auf dem Mars praktisch nicht in flüssiger Form vorkommt, sondern entweder als Eis oder als Wasserdampf. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! — Jubiläum in der Marsumlaufbahn Obwohl die Lebensbedingungen mehr als widrig zu sein …

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

Der große Entwurf – Eine neue Erklärung des Universums

facebook.com … Stephen Hawking: Der große Entwurf – Eine neue Erklärung des Universums. Warum existieren wir? Neue Antworten auf die letzten fragen des Seins … “Um das Universum auf fundamentalster Ebene zu verstehen, müssen wir nicht nur wissen, wie sich das Universum verhält, sondern auch, warum. Warum gibt es etwas und nicht einfach nichts? Warum existieren wir? Warum dieses besondere System von Gesetzen und nicht irgendein anderes? Das ist die letztgültige Frage nach dem Leben, dem Universum und dem ganzen Rest. Wir werden versuchen, sie in diesem Buch zu beantworten.” (Stephen Hawking) — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! — Über das Geheimnis des Seins … Die letzten dreißig Jahre seines wissenschaftlichen Lebens verwandte Albert Einstein auf die Suche nach der Weltformel, die alle elementaren Naturkräfte in einer einzigen schlüssigen Theorie erklärt. Aber die Zeit war nicht reif für eine solche Entdeckung. Auch nicht, als Stephen Hawking 1988 “Eine kurze Geschichte der Zeit” veröffentlichte. Sein Welt-Bestseller hat jedoch die Suche nach der “einen Theorie von allem” populär gemacht wie kein anderes Buch. Jetzt überrascht uns Hawking mit der Nachricht, dass wir womöglich kurz davorstehen. In “Der große Entwurf” schlägt das Jahrhundert-Genie einen ungewöhnlichen Weg vor, wie sich die widerstreitenden Theorien über Relativität und Quantenphysik zusammenfügen …

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.