Publisher Christian Strasser meets the author Daniel Pinchbeck, who visited Hamburg in order to attend at the premiere screening of his movie “2012 – time for change”. The conversation hit many contemporary topics and both experts on holistic lifestyle and philosophy got really into it. For further informations on Daniel Pinchbecks incredible work as a true visionary writer check his fabulous webmagazine www.realitysandwich.com and watch the movie as well.
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Apr 25 2011 | Posted in
Video |
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Die Autorin CANAMAY-TE im Gespräch mit dem Verleger CHRISTIAN STRASSER anlässlich der Veröffentlichung ihres Buches “Wenn die Sonne mit dem Mond tanzt …”. Dieses Interview enthält ua eine Einführung in die Problematik des dissonanten westlichen Zeitkonzepts und verweist auf die mögliche Lösung durch die Einführung des 13- Monde-T’zolkin-Kalenders, basierend auf den Überlieferungen der mayanischen Zeitkultur. Das Buch wird beschrieben als ein praktisches und leicht anwendbares Werkzeug, mit dem jeder Leser seinen eigenen Transformations-Prozess initiieren und einen Selbst-Einweihungsweg mit den 20 Schöpfungs-Glyphen der Maya eigenständig beschreiten kann. Ein dabei erwachendes neues ganzheitliches Zeit-Bewußtsein befähigt jeden einzelnen, an der bevorstehenden Transformation der Erde und an der Gestaltung einer harmonischeren Zukunft für uns alle aktiv und schöpferisch mitzuwirken.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Apr 25 2011 | Posted in
Video |
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Regie: Anja Schmidt; Naupany Puma, Nachfahre der Inka – Kultur und einer der letzten Hüter des fast ausgelöschten Wissens dieser Hochkultur, führt uns auf den Spuren der Sonne, von Indien über Ägypten bis zum karibischen Meer in Mexiko, zu Kraftplätzen der Natur und den ältesten Tempeln und Pyramiden dieser Erde. Seit jeher machten sich die Ältesten und Weisen auf den Weg zu diesen alten Stätten, wenn es darum ging, das Wissen für einen neuen Zeitenzyklus zu erhalten, denn überall auf der Welt haben diese heiligen Gebäude eine wichtige Funktion: sie sind Rezeptoren, kraftvolle Empfänger für kosmische Energien. Das Licht der Sonne und die darin enthaltene kosmische Weisheit strömen in dieser Zeit mit neuer Information an diesen Orten ein, denn unsere Mutter Erde und wir alle befinden uns auf einer Brücke in eine neue Zukunft. (Musik: Wolfgang Neumann und Naupany Puma.)
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Apr 13 2011 | Posted in
Video |
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