Den Engeln auf der Spur Die Fernsehjournalistin und Filmautorin Dipl.-Päd. Renate Ingruber aus Österreich begibt sich auf Spurensuche. Durch ein persönliches Erlebnis neugierig gemacht, geht sie dem Phänomen „Engel” auf den Grund. Dabei spricht sie unter anderem mit Experten zum Thema, wie Ingrid Auer, Sabrina Fox, Isabelle von Fallois, Lorna Byrne, Charles Virtue, Roy Martina, Elisabeth Samnoy und Prinzessin Märtha Louise von Norwegen, und stellt ihnen gezielte Fragen, wie etwa „Was sind Engel?”, „Wie kommuniziere ich mit Engeln?”, „Wie können Engel uns im Leben unterstützen?”, „Was möchten eigentlich Engel von uns?” Der Film ist im Dokumentarstil gedreht und zeigt eine persönliche Spurensuche. Er gibt Einblicke in sehr persönliche Momente der Engel-Autoren und deren persönlichen Zugang zur Engelwelt und beleuchtet das Thema aus verschiedenen Perspektiven.
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Mai 17 2011 | Posted in
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facebook.com … Einsteins Relativitätstheorie (Teil 1): Die Relativität von Raum und Zeit (Einführung). Die Relativitätstheorie befasst sich mit der Struktur von Raum und Zeit sowie mit dem Wesen der Gravitation. Sie besteht aus zwei maßgeblich von Albert Einstein geschaffenen physikalischen Theorien, der 1905 veröffentlichten speziellen Relativitätstheorie und der 1916 abgeschlossenen allgemeinen Relativitätstheorie. Die spezielle Relativitätstheorie beschreibt das Verhalten von Raum und Zeit aus der Sicht von Beobachtern, die sich relativ zueinander bewegen, und die damit verbundenen Phänomene. Darauf aufbauend führt die allgemeine Relativitätstheorie die Gravitation auf eine Krümmung von Raum und Zeit zurück, die unter anderem durch die beteiligten Massen verursacht wird. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke!
— Relativität ist eigentlich nur der Versuch zweier Leute, sich darauf zu einigen was sie sehen, wenn einer von beiden in Bewegung ist. Und da wir uns alle regelmäßig irgendwohin bewegen, finden wir jede Menge Beispiele dafür, wie nützlich Relativität im Alltag ist — auch wenn wir sie nicht beim Namen nennen. Eines der Wunder des modernen Lebens ist das Global Positioning System (GPS). Es ist wirklich beeindruckend, dass ein GPS-Empfänger unsere Position ganz exakt bestimmen kann; überall auf der Erde, auf ein paar Meter genau. Dieses Wunder lebt von zwei Dutzend …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Mai 8 2011 | Posted in
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“Being in the world” von Tao Raspoli untersucht die Rolle des Menschen in einem von Technologie geprägten Zeitalter und beschreibt die Entfaltung des Bewusstseins aus der Perspektive der klassischen Philosophen.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Mai 2 2011 | Posted in
Video |
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