Archive for: September, 2011

Nibiru Addendum: Countdown To 2012

Considering the shattering events of 2011, dare we continue to dismiss the importance of 2012 and the ancient prophecies of an impending nexus point in the human experience on planet Earth? Here’s an update to the original Jim Nichols film Nibiru – The Movie. Is comet Elenin a cover-up for Planet-X? Does our world face imminent catastrophe, or spiritual renaissance? The countdown is ticking away! For more information go to www.UFOTV.com. NOW AVAILABLE IN A SPECIAL DVD EDITION Are We Alone – Genesis Revisited, featuring Zecharia Sitchen, Cat# U559 – Go to www.UFOTV.com.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

Heilige Scheiße und Die Hand Gottes – Berlin 21.09.2011

Die erfolgreiche Premieren-Lesung “Heilige Scheiße” und “Die Hand Gottes” am 21.09.11 in Berlin – veranstaltet von der Giordano Bruno Stiftung, dem Scorpio Verlag und Bastei Lübbe – hat die Besucher begeistert und fasziniert. Weitere Infos zur Tournee “Die Hand Gottes” auf www.die-hand-gottes.com. Dem Autor Thore D. Hansen ist es bestens gelungen, das komplexe Thema der abendländischen Kirchen- und Kulturgeschichte kompetent darzustellen und die Verwicklungen der Irrtümer, der Manipulationen und ihrer Konsequenzen für die moderne Zeit klar und verständlich zu erläutern. Die Zeichen der Zeit stehen deutlich auf Sturm und Verwandlung. Um den globalen Herausforderungen der Gegenwart begegnen zu können, müssen die überlieferten Glaubensgrundsätze hinterfragt und erneuert werden. Allem voran stellt sich die Frage nach der Gültigkeit des katholischen Dogmas. Der Autor Thore D. Hansen gründet seinen spannenden und akribisch recherchierten Thriller auf eben diesem Thema – und während Geschichtsforscher und Juristen über historische Wahrheiten und juristische Auslegungen diskutieren – überholt die Gegenwart die Fiktion des Buches. In der Realität des Alltags verwandeln sich die Leser von Zuschauern einer Geschichte in Hauptpersonen im echten Leben, in der der grundlegende Wandel der Werte eine neue Wirklichkeit prägt.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

RODS: A Strange UFO Mystery – Feature Film

RODS: The Smoking Gun Evidence. See evidence of a newly discovered and previously unknown life form that currently exists on this planet. Presented for the first time in this program is stunning high quality video of “Rods” in flight taken by a production company working for the Discovery Channel while taping cliff jumpers in South America. New methods are presented using the sun which illuminates the phenomenon, providing incredible detail for analyzing the anatomy of this life form. Included in this program are comments by renowned scientists as part of the process of authentication. Discover new sky fishing methods for capturing this entity on film that you can use with your own camera. RODS: The Smoking Gun Evidence, Coming soon to UFOTV – For more information go to www.UFOTV.com.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

The Oracle – A 400 Year Old Secret – HD

Cloaked in secrecy for over 400 years, the State Oracle of Tibet has been a strange and mystical aspect of the Tibetan Buddhist tradition. This ancient spirit, which has inhabited a succession of thirteen human mediums, advises the Dalai Lama on matters of public and religious policy. To witness the eerie spectacle of a medium entering a trance state and being possessed by the Oracle is to confront profound questions about the very nature of human consciousness. With permission from the Dalai Lama that had never been granted before, The Oracle explores the ancient practice of consulting spirits. NOW on DVD and LOADED with Bonus Features, Cat# U693, Go to www.UFOTV.com.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

The URZI UFO Case – The Full Story – Authentic & Complete

WINNER – International UFO Congress EBE Award – Best Authentic UFO Footage In A Documentary. Your about to see miraculous UFO footage that has been authenticated by top UFO researchers and annalists. More than 1700 UFO sightings have been filmed since the year 2000 by Antonio Urzi. These include metallic ships, spheres of light, flotillas and many other types of strange phenomena. Antonio Urzi’s filmed evidence has generated tremendous interest among UFO researchers all over the world. After painstaking analysis and heated debate, UFO film annalists have determined that the Urzi UFO film footage is authentic. Now for the first time his story and the remarkable filmed evidence he has collected can be seen in this fascinating fact filled documentary. NOW on DVD – The URZI Case – A UFO Mystery In the Skies of Italy – Cat.#U694. Go to www.UFOTV.com.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

A Bigfoot Story Gone Mad – The Movie

“Two Bloody Thumbs Up!” – Cult Movies Magazine – Take a wild ride deep into the remote Appalachian mountains of North Carolina in search of Bigfoot. DJ Galloway, journalist and former Miami Herald reporter, leads an investigation of a serge of Bigfoot sightings and animal killings that are being reported throughout the community of Transylvania County, North Carolina. This investigation and the trail of discovery that follow, provides positive proof that something strange is happening in this remote region. WINNER! New York International Film Festival – Best Narrative Feature “Deliverance Meets the Blair Witch Project” – Assemblyman Joe Neal, Hopkins, SC “This ain’t no hoax, I’ve seen the beast!” – Sheriff Big Jake Galloway “It was tall, wooly, black and big!” – Romane Johnson, Indian Camp Mountain Resident NOW Available on DVD – The Long way Home: A Bigfoot Story – LOADED with Bonus Features, Cat#U669, Go to www.UFOTV.com.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

MYSTICA TV – Inspiration von Marko Pogačnik

Marko Pogačnik, der vielleicht bekannteste Geomant Europas, spricht über den Wandel der Zeiten. So, wie wir fühlen, denken und handeln, so wird sich die Welt verändern…

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

MYSTICA TV – Inspiration von Varda Hasselmann

Das bekannte Medium vermittelt hier einige Tipps, wie man sich seiner Sensitivität bewusster werden und erste Schritte unternehmen kann, Informationen aus anderen Quellen zu erlangen.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

Ancient Alien Pyramid Mystery – Full Feature

90 Minutes Feature Length – Join David Hatcher Childress in Egypt where he meets up with British engineer Christopher Dunn. Together they explore the Giza area, going to ancient pyramid sites, underground catacombs and megalithic quarries not usually visited by tourists. Here they examine saw marks, advanced lifting and moving techniques found at the Giza Plateau, Abu Rawash, Abu Garab, and the underground catacombs of the Serapeum and other areas. Finally Dunn explains his theory of the Giza Power Plant and his view that the pyramids at Giza were originally part of a plan to “drive the earth into harmony.” A mind-blowing look at solid evidence for extraordinary ancient technology. For more information go to our web site – www.UFOTV.com.

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

MYSTICA TV: Dr. Jes TY Lim – Die Geheimnisse des Feng Shui

Dr. Jes TY Lim ist einer der bekanntesten Feng Shui — Großmeister unserer Zeit. Im spontanen Interview auf dem Rainbow Spirit Festival beschreibt er auf seine typisch leidenschaftliche, mitreißende Art die Grundzüge dieser Kunst: Es geht um Energie. 90% aller Gesundheitsprobleme sind seiner Meinung nach auf eine falsche Energie in der Wohnung, besonders am Schlafplatz, zurückzuführen. Und die USB Bank, Nokia und andere Unternehmen geht es wirtschaftlich nicht gut, da sie kein gutes Feng Shui haben. Dumm ist nur, dass sie das nicht zu wissen scheinen…

Empfohlene Literatur zu diesem Artikel von der Redatkion:

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProHow to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.

How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication).  It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.

Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.

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