Dr. Holger Berges, Hamburg hat jahrelange Erfahrung in der Diagnose und Behandlung von Patienten mit dem Burnout-Syndrom. Er schildert hier ” im großen Bogen” die Entstehung, die Ursachen und Folgen dieser viel diskutierten Erkrankung. Und er zeigt praktische Lösungswege auf. Aus wikipedia.de : Ein Burnout-Syndrom (englisch (to) burn out: „ausbrennen”) bzw. Ausgebranntsein ist ein Zustand ausgesprochener emotionaler Erschöpfung mit reduzierter Leistungsfähigkeit. Es kann als Endzustand einer Entwicklungslinie bezeichnet werden, die mit idealistischer Begeisterung beginnt und über frustrierende Erlebnisse zu Desillusionierung und Apathie, psychosomatischen Erkrankungen und Depression oder Aggressivität und einer erhöhten Suchtgefährdung führt. Burnout ist keine Krankheit, sondern ein Problem der Lebensbewältigung. Es handelt sich um eine körperliche, emotionale und geistige Erschöpfung aufgrund beruflicher Überlastung und wird meist durch Stress ausgelöst, der nicht bewältigt werden kann.
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 31 2011 | Posted in
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Im dritten Teil des Gesprächs mit Dr. Ruediger Dahlke geht es um die praktischen Aspekte der veganen Ernährung. Tatsächlich haben sich unsere Vorfahren überwiegend vegetarisch ernährt, meist sogar mit Rohkost. Und möglicherweise entspricht unser Körperbau — Zähne, Dickdarm, Verdauungsapparat — mehr dem eines Pflanzenessers. Auch Dr. Dahlke selbst ernährt sich seit einigen Jahren vegan. Nur manchmal, ganz selten, vermisst er ein Stück Butter auf dem Brot…
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 28 2011 | Posted in
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Der zweite Teil des Gesprächs mit Dr. Ruediger Dahlke behandelt die ethische Seite von „Peace Food”. Ist es wirklich weiterhin tragbar, dass unzählige Tiere leiden und dahinvegitieren müssen, weil wir alle so gerne Fleisch essen? Schweine, eigentlich reine und sehr intelligente Tiere müssen zum Teil übereinander in ihren Exkrementen leben, fern ab von Sonnenlicht oder Bewegungsfreiheit.
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 27 2011 | Posted in
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10/31/11 UPDATE! Meier’s Prophetic Accuracy Confirmed…by Skeptics! NASA’s “Most Important” Jupiter Discovery Published First — by UFO Prophet. Now presenting the most controversial UFO / ET case in history. The truth is exposed in this remarkable film about how one man’s meetings with extraterrestrials lead him through dozens of countries, meeting many famous world leaders including Saddam Hussein and later revealing ancient prophecies that would eventually come true. In 1958 he predicted the Iraq Wars, Global Warming and even the AIDS epidemic. You will be captivated by how “Billy” Eduard Albert Meier became known in his early years as “The Phantom,” (a real life combination of Indian Jones, Han Solo and Larwence of Arabia), who carried a 44 Magnum and apprehended serial killers and mass murderers. Meier’s life story is an enigmatic journey that ultimately culminates with him becoming the messenger for an advanced race of ET beings know as the Plejaran. Their message is clear: earth is in trouble, the people have been asleep, and we must make drastic changes or there will be devastating consequences for all of mankind. In his later years Meier stumped hundreds of skeptics with his clear UFO photographs, film footage and sound recordings of Plejaran “Beam Ships,” all taken and recorded in broad daylight. Exotic metal samples he received from the extraterrestrials according to scientists, remain to this day, irreproducible. So decide for yourself if it’s all a hoax, and …
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 26 2011 | Posted in
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www.die-hand-gottes.com Das Erbe der Kelten und die katholische Kirche Vor 1700 Jahren wurden die Kelten, die Meister der alten Welt, in einer grausamen Allianz zwischen Bischöfen und Kaisern vernichtet und der kulturelle Wettlauf der Menschheit entschieden. Mit dem Untergang der heidnischen Kulturen verlor die Menschheit auch den Respekt vor Mensch, Tier und Natur. Doch kein Verbrechen lässt sich ewig verbergen. Eine der brisantesten Fragen die der Roman in den Mittelpunkt stellt ist ein Völker- und strafrechtliches Szenario, das die aktuelle Debatte um die katholische Kirche in ein neues Licht stellt. In einem spektakulären Prozess vor dem US Supreme Court erfährt die Menschheit hautnah wie der Untergang der Druiden auch ihr Schicksal bis heute bestimmt hat. Doch eine Zeitenwende kündigt sich an…
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 24 2011 | Posted in
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“Scrupulously accurate, intelligently conceived, UFOs: The Secret History is the thinking viewer’s guide to the puzzles and paradoxes of an extraordinary phenomenon that continues to haunt our times and trouble our dreams. It is also gorgeously filmed – a feast to eye and mind, a thrilling experience on every level.” – Jerome Clark, author of the award-winning, multi-volume UFO Encyclopedia. This film is a 65 minute abridged version. NOW on DVD – UFOs the Secret History – Full 3 DVD Special Edition – Produced in HD – Cat# U8698. Go to www.UFOTV.com ©UFOTV, all rights reserved.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 22 2011 | Posted in
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facebook.com … Einsteins Relativitätstheorie (Teil 2): Klassische Mechanik und Relativität. Einsteins spezielle Relativitätstheorie ist an die Stelle der dynamischen Gesetze der klassischen Mechanik getreten. Allerdings sind die Gesetze der klassischen Mechanik über Jahrhunderte immer wieder sehr genau bestätigt worden. Dabei wurden jedoch immer Geschwindigkeiten betrachtet, die sehr viel kleiner waren als die Lichtgeschwindigkeit. Für solche kleinen Geschwindigkeiten liefert die spezielle Relativitätstheorie dieselben Ergebnisse wie die klassische Mechanik. Das führt dazu, dass auch die anderen relativistischen Effekte so klein werden, dass man sie im Alltag nicht wahrnimmt. — Bitte ABONNIEREN nicht vergessen: • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com • www.youtube.com Danke! 
— Die Grundidee der klassischen Relativität ist, dass zwei Beobachter einfach ihre eigene Geschwindigkeit in Bezug zueinander addieren oder substrahieren können. Und genau diese klassische Version reichte viele Jahrhunderte aus. Für Pferdekutschen und Schiffe, Basebälle und Trucks und sogar für Flugzeuge, Raketen und Kugeln. Heute aber wissen wir, dass die Relativität der klassischen Physik nur eine Annäherung an die Realität ist — sehr dicht aber eben nur eine Annäherung. Bei sehr hohen Geschwindigkeiten stößt die klassische Relativität an ihre Grenzen. Das jedoch wurde er klar, als Wissenschaftler anfingen das schnellste bekannte Ding der Natrur zu …
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How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 22 2011 | Posted in
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3-Hours – Digitally Restored – Ancient Alien ruins on the Moon? Is it possible? The Moon/Mars Connection uses NASA’s own data to make a compelling scientific case for the existence of ancient alien artifacts on the earth’s nearest neighbor in the Solar System. As no one has done before, Hoagland uses state-of-the-art computer image processing and other analytical techniques to take the viewer into an extraordinary world of possible gigantic structures where NASA says there are none. Have some officials within the US Government, for over 30 years, been hiding the truth? The Moon/ Mars Connection opens the mind to these amazing possibilities. This presentation was given and filmed at Ohio State University in 1994 and to this day remains a vitally important source of research about ancient extraterrestrial artifacts discovered on the Moon. Richard C. Hoagland, author of The “Monuments of Mars,” is a former science consultant to NASA and CBS News. ©1994-2011 Enterprise Mission and UFOTV, a UFO Video, Inc. Company
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 19 2011 | Posted in
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2-Hours – Digitally Restored – Richard Hoagland presents his evidence to the United Nations. In non-technical language, using official NASA photos and stunning computer graphics, Richard Hoagland, as head of an independent Mars investigation team, makes a case for crucial connections between ancient structures on the landscape of the planet Mars, the ruins of ancient civilizations on Earth and a new form of science called Hyper-Dimensional Physics. This presentation was given at the United Nations and filmed in 1992 and to this day remains a vitally important source of research about ancient extraterrestrial artifacts discovered on Mars and the Earth, and the discovery of Hyper-Dimensional Physics encoded within the relationship of these artifacts on Mars, and more importantly the implications of the discovery of Hyper-Dimensional Physics. This multimedia video presents new research not included in the original NASA Cydonia Briefings. NOW on DVD – Hoagland’s Mars and the Moon / Mars Connection – 4 DVD Special Edition, Cat# U410. Go to www.UFOTV.com or where ever DVDs are sold. ©1992-2011 Enterprise Mission and UFOTV, a UFO Video, Inc. Company
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 19 2011 | Posted in
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Jürgen Knoop interpretiert den Formgebender Mond vom 18.Okt bis 14.Nov 2011 die Sonnenwelle vom 20. Okt bis 1. Nov 2011 und die Himmelswanderer Welle vom 2.Nov bis 14. Nov 2011 Hier erhalten Sie das “große” Bild.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Okt 19 2011 | Posted in
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