„Der größte Schatz liegt im Schatten” – so Dr. Ruediger Dahlke. Im Schatten sind alle Themen und Dinge, die wir aus unserem Bewusstsein ausgeschlossen haben, weil wir sie nicht wollen. Wie beim Eisberg, von dem nur ein kleiner Teil über der Oberfläche zu sehen ist, befindet sich ein großer Teil unserer Energie im nicht bewussten Teil. Das führt zu Projektionen. Was tun? Wie bewusst machen? Der Arzt und Psychotherapeut erläutert hier einige Wissensbausteine für ein bewussteres Leben in Gesellschaft und im persönlichen Leben – unter anderem am aktuellen Beispiel der Atomkraft.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 29 2011 | Posted in
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Der EURO zerrüttet Europa. Immernoch wird ein griechischer EURO in einen deutschen EURO 1:1 umgetauscht. Während Länder wie Griechenland, Portugal und Italien jahrzehnte über ihre Verhältnisse lebten, wird nun der deutsche Wohlstand verpfändet, um die immer höheren Rettungsschirme zu spannen, die den Pleitestaaten die letzte Rettung sein sollen. Doch das sind sie nicht. Die Rettungsaktionen führen zu noch mehr Schulden und treibt Der Begründer der Mittelstandökonomie Prof. Dr. Eberhard Hamer sieht die gesamte Eurozone durch einen internationalen Währungskrieg bedroht, bei dem es darum ginge von den Schwächen des US Dollars abzulenken. Die USA zwangen ihre Leitwährung der gesamten Welt auf und drucken nun die gesamte Weltwirtschaft in die Inflation.
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Mit Beiträgen von Prof. Dr W. Hankel, Prof. Dr. E. Hamer, Frank Schäffler, Dirk Müller, Andrea Prym-Bruck, Thorsten Polleit und Prof. Dr. MC Kerber Alle Vorträge auf DVD: nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Podiumsdiskussion mit Carlos A. Gebauer, Frank Schäffler (FDP), Dirk Müller (Mr. Dax) Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Podiumsdiskussion mit Carlos A. Gebauer, Prof. Dr. Wilhelm Hankel, Prof. Dr. Eberhard Hamer Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Prof. Dr. Wilhelm Hankel viele bezeichnen ihn als den „wahren Europäer”. Seit 1997 klagt er gegen den Euro und fordert jetzt Europas Rückkehr zu nationalen Währungen und die Umwandlung der Währungs- in eine Wechselkursunion. Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Prof. Dr. Eberhard Hamer Vorstand Mittelstandsinstitut Niedersachsen e. V., Vorsitzender Deutsche Mittelstandsstiftung e. V., Begründer der Mittelstandsökonomie. Hamer sieht in der Herrschaft der internationalen Finanzwelt eine Existenzgefahr für den Mittelstand. Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Frank Schäffler ist Mitglied des Deutschen Bundestages und Mitglied im undesfinanzausschuss. Seit 2010 Vorsitzender der AG Bürokratieabbau der FDP-Bundestagsfraktion. Vorkämpfer für solide Währungs- und Finanzpolitik. Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Prof. Dr. Dr. habil. Markus C. Kerber ist Professor für öffentliche Finanzwirtschaft an der TU Berlin. Derzeit führt er ein Pionierverfahren zur Prüfung, ob der von der Europäischen Zentralbank (EZB) praktizierte Aufkauf von Staatsanleihen rechtens ist. Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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Während am 2. Dezember im Bundestag über die Eurorettungsfonds – bond – und schirme debattiert und abgestimmt wurde, fand unweit im Adlon Hotel neben dem Brandburger Tor eine Veranstaltung mit hochkarätigen Rednern statt. Ihr Credo: Die derzeitige Finanzkrise und Volatilität der Wirtschaft sozial und verantwortungsbewusst zu überwinden, erfordert neues Denken: nachhaltig krisenfest, gerecht und international anbindungsfähig. Prof. Dr. Thorsten Polleit ist Honorarprofessor an der Frankfurt School of Finance and Management Alle Vorträge der Veranstaltung gibt es hier: www.nuovisoshop.de
Empfohlene Literatur zu diesem Artikel von der Redatkion:
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a ProVideo is everywhere. Over 90 percent of American homes have some form of video camera, we upload 24 hours of video to the Web every minute, and we watch videos two billion times a day on YouTube. Problem is, most of it is bad—but here’s how to make it not only better, but also great.
How to Shoot Video That Doesn't Suck is all about the language of video. It’s about how to think like a director, regardless of equipment (amateurs think about the camera, pros think about communication). It’s about the rules developed over a century of movie-making—which work
just as well when shooting a two-year-old’s birthday party. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience.
Here’s how to think in shots—how to move-point-shoot-stop-repeat, instead of planting yourself in one spot and pressing “Record” for five minutes. Why never to shoot until you see the whites of your subject’s eyes. Why to “zoom” with your feet and not the lens. How to create intrigue on camera. The book covers the basics of framing, lighting, sound (use an external mic), editing, special effects (turn them off), and gives specific advice on how to shoot a variety of specific situations: sporting events, parties and family gatherings, graduations and performances. Plus, how to make instructional and promotional videos, how to make a music video, how to capture stunts, and much more. At the end of every chapter is a suggestion of how to immediately put what you learned into practice, so the next time you’re shooting you’ll have begun to master the skill. Accompanying the book is a website with video clips to illustrate different rules, techniques, and situations.
Dez 27 2011 | Posted in
Video |
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